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  • Mr.Csizmás

    titán

    válasz vendingo #9164 üzenetére

    a lényeg:

    A camera body that excels with clean high-ISO operation. There are a number of new bodies in recent years that meet these criteria well, and which have enabled revolutionary advances in the field of aurora photography. Weather-sealing is a definite plus, although not a necessity.

    A wide, fast lens. On a full frame camera, a focal length of 24mm or less is desirable – but the wider, the better, in my experience. Ideally the lens will be able to shoot sharp pictures with minimal vignetting at a maximum aperture of f 2.8 or less, as you’ll want to keep your exposures short. All else being equal, your exposure will be inversely proportional to the square of your aperture, meaning that a lens at f 2.8 will need four times as long to capture an image as at f 1.4. Currently, my favorite lens for this purpose is Nikon’s AF-S Nikkor 14-24mm f 2.8G ED.

    A sturdy tripod, and a remote shutter release (or, at a pinch, your camera's self-timer function). Don’t bother leaving home without them. They’re essential for aurora photography. A robust ballhead is also extremely useful.

    kő egy body, magas tiszta iso-val, időjárásálló előny (gondolom a hó miatt), és naagyon széles lencsén, FF-en 24mm vagy kevesebb legyen.

    max nyíláson éles lencsét ajánl, hogy rövidek legyenek a záridők. távkioldó, állvány mindenképpen kell. gömbfej előny. :)

    szerk. 14-es max (f2.5-ön), iso 800-1250, és ami záridőt ad hozzá.... :U :K

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